“Canada Is… What?! A Meditation on the Diasporic Threads of Settler Colonialism”  (Ed. Stefanie Schäfer) Vienna Working Papers in Canadian Studies, Vol. 4, 2021.

Transforming Stories, Driving Change: Bringing New Voices Into Public Debate Through Performance. Helene Vosters, Catherine Graham, Chris Sinding, Jennie Vengris, Adam Perry, Melanie Skene, and Elysée Nouvet. Open access digital book, 2021.

Unbecoming Nationalism: From Commemoration to Redress in Canada. University of Manitoba Press, 2019.

Co-editor with Roewan Crowe. Return Atacama: Engaging Histories of Political Violence Through Performance and Durational Witnessing. Open access digital book, HemiPress Gesture Series, 2019.

“Stitch-by-Stitch: An Unsettling Labour of Re-inscription.” Canadian Theatre Review Issue 174, 2018.

Unbecoming Nationalisms: A Queer Labor of Unproduction/Nacionalsimos Impropios: Una Labor De Improducción Queer.” Emergency Index: Volume 6. 2013. Edited by Yelena Gluzman & Matvei Yankelevich. New York: Ugly Duckling Press, 2017: 288-289.

“Sochi Olympics 2014, Canadian Truth and Reconciliation, and the Haunting Ghouls of Canadian Nationalism.”Performance Studies and Canadian Culture.Edited by Laura Levin and Marlis Schweitzer. McGill-Queen’s Press, 2017. 184-209.

“Unravel: A Labour of Lament and Unbecoming.” Engaging Affects, Thinking Feelings: Social, Political and Artistic Practices. Eds. Susan Driver, Kara Stone and Melanie Patenaude. Newcastle upon Tyne, UK: Cambridge Scholars Press, 2016. 139-144.

“Diamanda Galás and Amanda Todd: Performing Trauma’s Sticky Connections.” Theatre Research in Canada 36:1 (2015): 89-105.

“Cultivating a Cross-border, Extra-theatrical Assemblage in Resistance to Femicide in the Americas.” Canadian Theatre Review Issue 161 (2015): 22-25.

“State the Nature of Your Emergency.” Emergency Index: Volume 4. 2015. Edited by Yelena Gluzman and Sophia Cleary. New York: Ugly Duckling Press, 2015.

“Military Memorialization and its Object(s) of Period Purification.” Performing Objects and Theatrical Things. Edited by Joanne Zerdy and Marlis Schweitzer. Palgrave McMillan: London, 2014. 104-117.

“Between Worlds: Reflections on a Year of Falling.” Theatre of Affect (Essays), Volume 4 in the New Essays on Canadian Theatre series, Ed. Erin Hurley, Gen. Ed. Ric Knowles. Toronto: Playwrights Canada Press, 2014. 263-274.

“Beyond Monumentalization: Activating Empathy for the ‘Lost Subjects of History.’” Canadian Theatre Review Issue 157 (2014): 34-38.

“Shot at Dawn.” Emergency Index: Volume 3. 2013. Edited by Yelena Gluzman. New York: Ugly Duckling Press, 2014: 546-537.

“Impact Lab and the Halprin Life/Art Process: A Practice-based Approach to Creative, Affective, and Political Mobilization.” Canadian Journal of Practice-Based Research in Theatre 5:1 (2013): 1-23.

“Piece/Peace Work: Engendering ‘Rationalities of Care’ through a Thread-by-Thread deconstruction of militarism.” Performance Research 18:3 (2013): 4-14.

“Beyond Heroism and Towards Shared Vulnerability: Re-imagining Canada’s Affective Deployments of Mourning in Response to Afghan War Deaths.” FRAKCIJA Issue 58/59 (2012): 51-59.

“Impact Afghanistan War.” Emergency Index: 2011. Edited by Yelena Gluzman and Matvei Yankelevich. New York: Ugly Duckling Press, 2012: 26-27.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s